Trans and the contradictions of gender


bathroom-sign

Today’s needull looks at debates around transgender and tries to understand the issue better. Questions like “who counts as a ‘real’ woman?” is looked at.

The term transgender can be used to replace the earlier term ‘transsexual’, but can also cover a much wider set of phenomena including those who choose to inhabit an ambiguous gender position or who reject the gender binary altogether. As used by most trans activists a trans woman is anyone who was labeled as male at birth, but has come to identify as a woman regardless of whether they have been through a medical reassignment process. The term gender, in sociological usage, originally emerged in contradistinction to ‘sex’ – as defined through external anatomical characteristics, hormones and chromosomes. Gender refers to the cultural and social aspects of being male and female as well as to the distinction between them – the, so-called, binary divide.

The complete article

Stevi Jackson & Sue Scott — Discover Society

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The artistry of ‘hijra’ music


Today’s needull is about music that we hear in India on all happy occasion, but still tend to look down upon:

Among some of the most marginalized of communities that have conventionally been professionally associated with singing and dancing is possibly the hijra community of transgender individuals. Although references to hijras in India date back several centuries, it is in the early part of the 19th century that they are mentioned as performers who sing and dance at auspicious occasions like weddings, the birth of a child, or trade-related events like the opening of a new store. Sadly, despite being associated with music and dance, hijras, khusras or pavaiyaas, different sociocultural communities of transgender individuals, have rarely been considered true “artistes” by practitioners of classical music and dance.

The complete article

Shubha Mudgal – Music Matters

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