Like the fossilized mosquito in Jurassic Park, these scraps of cultural ephemera hold the DNA of a lost world. From them I can extract and return from extinction a long-ago living room, with its red carpet and exposed-brick chimney. These drops of preserved time are generous, containing in miniature a thousand blueprints for memories: a suburban swimming pool sealed up for the winter, along with school friends’ train-track smiles, a history project on George Washington, neon highlighters, sour candies in the shape of keys fizzing on the tongue, social anxieties and family worries, the touch of a cousin’s warm, bald head, the starship Enterprise hanging among the stars (shot from below), the white noise of space.
Tag: The New Atlantis
Mind Games
A detailed look on AI through the movie – Ex Machina.
Ex Machina presents us with a powerful picture of what it could mean, based on the behaviorist assumptions that undergird the classic Turing Test, to achieve a human-like consciousness in a robot. But just as Nathan objects to the narrow range of behaviors that the classic test examines as relevant to intelligence, so the movie may be suggesting that we wonder even at the richer repertoire of “outputs” that Nathan introduces in order to achieve “consciousness.” At the very least we can notice how his own selfish and destructive motives for creating AI are reflected in the behaviors he seeks to highlight as relevant to Ava’s achievement of consciousness. Escaping her “programming” means recognizing the consciousness of others, and yet she uses her empathy to deceive and manipulate them.