4. Leave an impression: pay extra attention to the last line of a scene, chapter, or paragraph.
“I play with those last lines of paragraphs a lot. You can take the reader on a journey—then just when they think they can see where you’re going, you jerk them out of that reality. If you end a paragraph with dissonance it can color what’s come before in an interesting way.”
An obituary. Many of us don’t realize this, but Playboy has published some solid literary pieces from great writers.
Early on, as Josh Lambert reported in Tablet in 2010, Hef was frustrated and disappointed by anti-semitism and stifled by the hiring practices at Esquire. In response, he happily hired some of the country’s top Jewish editors: Nat Lehrman, Sheldon Wax, Arthur Kretchmer, and August Comte Spectorsky. But Playboy didn’t become a prestigious venue for literary writing until the sixties, under the eye of editor Robie Macauley, who attracted bylines from some of the greatest science fiction writers of the day — Arthur C. Clarke, Ray Bradbury, Isaac Assimov, and many others. With numerous Nebula nominations and wins, Playboy became synonymous with quality sci-fi.
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Needull in a haystack 