I Can’t Answer My Daughter’s Questions About COVID-19


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Parenting during pandemic.

Every morning the same routine. She asks if we can go to the playground. She asks if we can see our friends. She’s tired of being cooped up. I don’t blame her. I’m tired. Exhausted. We all are. She’s heard the word “die” more times in the past month than in her entire life. She kind of knows what it means. One of our cats died on the kitchen floor, heart attack, when she was barely a year old. She saw him and tried to pet him. “Kitty,” she said as my wife cried and tried to save Jim, the cat. Her favorite chicken, named after Princess Sophia, was eaten by a fox. I had to pick up the remains of the other two he killed. She knows death, but it’s hard to explain to a four-year-old that death comes from a virus.

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Kevin Koczwara — Esquire

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Did Stephen King’s Son Just Solve a 44-Year-Old Murder Mystery?


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It wasn’t your typical jump-scare, no image of a hungry Great White Shark attacking a beachgoer. Instead, it was a scene in which a crowd boards a ferry on the Fourth of July, a seemingly innocuous moment in Steven Spielberg’s iconic masterpiece. In the shot, a female extra wearing a blue bandana over her auburn hair caught Hill’s attention. She was “almost a twin of the figure” in a forensic recreation image he recently saw of the Lady of the Dunes, the still-unidentified murder victim discovered in Provincetown in 1974—the very same year Jaws was filmed on nearby Martha’s Vineyard.

SHIA LABEOUF IS READY TO TALK ABOUT IT


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The unpredictable Shia LaBeouf.

Yes, LaBeouf is the guy who was handed a golden ticket and promptly lit it on fire. But too often we forget that everyone screws up on their path toward becoming an adult; and that few do so under the gaze of the public eye; and that by embracing the kind of capital-A Acting LaBeouf aims to do, we nourish the same spark from which his bad behavior stems. Tom Hardy, who worked with LaBeouf on 2012’s Lawless, points to the paradox central to their work. “A performer is asked to do two things,” he tells me. “To be disciplined and accountable, communicative and a pleasure to work with. And then, within a split second, they’re asked to be a psychopath. Authentically. It takes a very strong human being to sustain a genuine sense of well-being through that baptism of fire.” Then: “Drama is not known to attract stable types.”

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Eric Sullivan — Esquire

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THE SECRETIVE FAMILY MAKING BILLIONS FROM THE OPIOID CRISIS


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Story about a rich secretive family and their fortune. Sounds familiar?

That may be because the greatest part of that $14 billion fortune tallied by Forbes came from OxyContin, the narcotic painkiller regarded by many public-health experts as among the most dangerous products ever sold on a mass scale. Since 1996, when the drug was brought to market by Purdue Pharma, the American branch of the Sacklers’ pharmaceutical empire, more than two hundred thousand people in the United States have died from overdoses of OxyContin and other prescription painkillers. Thousands more have died after starting on a prescription opioid and then switching to a drug with a cheaper street price, such as heroin. Not all of these deaths are related to OxyContin—dozens of other painkillers, including generics, have flooded the market in the past thirty years. Nevertheless, Purdue Pharma was the first to achieve a dominant share of the market for long-acting opioids, accounting for more than half of prescriptions by 2001.

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Christopher Glazek — Esquire

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THE FALLING MAN


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The story behind the unforgettable photograph.

Yes, Jonathan Briley might be the Falling Man. But the only certainty we have is the certainty we had at the start: At fifteen seconds after 9:41 a.m., on September 11, 2001, a photographer named Richard Drew took a picture of a man falling through the sky—falling through time as well as through space. The picture went all around the world, and then disappeared, as if we willed it away. One of the most famous photographs in human history became an unmarked grave, and the man buried inside its frame—the Falling Man—became the Unknown Soldier in a war whose end we have not yet seen. Richard Drew’s photograph is all we know of him, and yet all we know of him becomes a measure of what we know of ourselves. The picture is his cenotaph, and like the monuments dedicated to the memory of unknown soldiers everywhere, it asks that we look at it, and make one simple acknowledgment.

That we have known who the Falling Man is all along.

The complete article

Tom Junod — Esquire

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Tom Hardy Blows Up


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He is one of the most interesting actor of his generation. This needull tells his story.

But Hardy is both in Hollywood and not in Hollywood. He’s matinee-idol handsome, with plump lips, smouldering eyes and those much-papped pecs, but he resists playing the pretty, heroic roles his physiognomy was made for. He prefers to play gangsters, villains and psychopaths. And he’s very, very good at it. He has an innate, undeniable charisma on screen that puts him at the top of every director’s wish list — all right, as we’ll get on to, perhaps not all of them — but often forgoes behemoth movies in favour of smaller, weirder films in which he can experiment, cut loose. He is steadfastly tightlipped about his personal life, but refreshingly candid about his profession. His friendship is something to be treasured; his enmity is something to be feared.

The complete article

Miranda Collinge — Esquire

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