When Pranks Become Works of Art


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A real funny prank, when things get reversed.

My friends were visual artists, writers, musicians, actors, and activists. Because of our lifestyles, we made the place a cool attraction for the “bridge-and-tunnel” tourists who drove through and pointed their cameras through the smoky windows of their Greyhound buses. We were the freak show, the animals they could mock. Fed up with this, I decided to take the freak show back to suburbia to ridicule the squares we had left behind: “Oh, look! They’re mowing their lawns and washing their cars!” The natives freaked when they saw us. One lady actually shrieked: “We’re being invaded!” I had no idea about the interest this satirical gesture would ignite. Carloads of journalists trailed the bus everywhere we went. Some were even on the bus.

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Joey Skaggs — Artsy

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It’s Getting Hard to Tell If a Painting Was Made by a Computer or a Human


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In all aspects of life, machines are slowly taking over. But are we losing out on the essence?

Michael Connor, the artistic director of Rhizome, a non-profit that provides a platform for digital art, agrees. He describes the gap between silicon- and carbon-based artists as wide and deep: “Making art is not the sole role of being an artist. It’s also about creating a body of work, teaching, activism, using social media, building a brand.” He suggests that the picture Elgammal’s algorithm generates is art in the same way that what a Monet forger paints is art: “This kind of algorithm art is like a counterfeit. It’s a weird copy of the human culture that the machine is learning about.” He adds that this isn’t necessarily a bad thing: “Like the Roman statues, which are copies of the original Greek figures, even copies can develop an intrinsic value over time.”

The complete article

Rene Chun — Artsy

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The Greatest Lovers in Art History


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This is for Valentine’s Day. The needull captures some of the greatest lovers in art.

Here, Gérôme borrows a mythological tale of seemingly impossible love. With a little magic from the gods, however, anything can happen, as the French 19th-century academic master reveals in this canvas. It captures the momentous climax of Greek sculptor Pygmalion’s tale. Embarrassed that he had fallen madly in love with one of his female statues, he prayed to find a woman just like her. Aphrodite granted his wish later that day—represented in the painting by a happy, hovering cupid—when he landed a kiss on the ivory sculpture and she came to life.

The complete article

Alexxa Gotthardt — Artsy

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