I discovered Morris 20 years ago while working at the Harvard Book Store in Cambridge. With a newly minted degree in literature, it was pretty much the only job I was qualified for. The used-book department in the basement had that musty scent of dust and other people’s houses. After work one quiet Sunday night I spotted “The World” on the shelf in the “Essays” section, equidistant from volumes by James Baldwin and Virginia Woolf. Small images of global landmarks adorned the spine and caught my eye. The minimal title — solemn, seductive and assured — snapped me to attention. The essays — impressionistic but set in tangible and at times familiar places — were like nothing I’d read before.