Advani’s propagandist appropriation was complete, except for the chariot. Advani’s chariot was not really one. It was actually an airconditioned Toyota, repurposed to look like a chariot. This caricature of the divine Rama dwelling in an airconditioned Toyota forms the defining allegory for the emergence of the Hindu rightwing in postcolonial India. Despite its avowedly pre-modern rhetoric, the political imaginary of a primordial Hindu utopia was decidedly wrought in the crisis-riven crucible of postcolonial capitalism. Rama might have been born in Ayodhya, but he did not dwell in a Hindu temple. Instead, he dwelled in an airconditioned Toyota, the likes of which were soon going to take over the Indian economy, as part of an immense political-economic catastrophe still unfolding at the time.