Who else but Ravi Shankar.
Shankar practised throughout the day. “It was unusual for someone as old as Robu to be starting formal training,” writes Craske, “but he had the zeal of a convert.” An apt word, because the modern Indian arts—and the sitar is as much an emblem of modernity as the past—were often created by outsiders, rather than “natural” inheritors, with a quasi-religious fervour. I say “quasi” because it’s important to understand that the tradition—whatever its spiritual and philosophical moorings—is a secular one. It was called “classical” music to distinguish it from temple or scriptural music.